In the 1960's as raku was being demonstrated in the United States, a reduction process was introduced. Fired ceramics were pulled from the kiln and placed in combustible materials causing flames producing a reduction atmosphere. Effects were then "frozen" by rapid cooling in water. The cracking, smoking and glaze effects produced is the version of raku that is widely sought after today.
In my ceramics, I mainly use a clear glaze with copper carbonate and iron oxide as colorants. I kiln the ceramics to about 1200-1500 degrees F° to where the glaze melts. I then pull the pieces out of the kiln red hot and put them into a metal container filled with eucalyptus leaves. I let them flame up and then cover the container to smoke for a few minutes before dousing with water to cool.
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After glaze has melted in firing, the red hot ceramic is removed from the kiln. Rapid cooling causes the glaze to harden and crackle.
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The ceramic is placed in a metal container filled with dry leaves. The heat causes the leaves to combust. Leaves are allowed to burn for a moment, then a lid is placed over the container cutting off the oxygen supply.
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After a few minutes, the lid is removed and the ceramic is doused with water to immediately cool it.
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Finished piece showing where smoke has penetrated the unglazed bottom, crackle in the glaze and inside reduction effects
where copper carbonate and iron oxide was added.
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Night is the time to fire! After the glaze has melted, the kiln lid is removed, revealing a red hot ceramic platter ready to go.
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Metal tongs are used to lift the platter out of the kiln.
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The platter is placed into a pit filled with dry leaves where it is allowed to burn for a minute before a lid is placed over the pit to allow the ceramic
glaze to reduce and absorb smoke.
Day photos by Linda, night photos by Alana. |
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View Raku Sculpture
View Raku Wall Art
About the Raku Process
View Raku Kiln
Angels Gate Open Studios
Studio
Education
Links
Main page
© 2002- Perry Okimoto. All rights reserved.






